ThoughtLines: Shorts, Poems and Other Thoughts
Echoes of The Right to God
Most Echoes essays and poems had a catch line.
Like a sticky note on the brain, that one phrase opened up the memory of the story's meaning, reminding us of what we loved or what we learned. For our one year anniversary of
Echoes of The Right to God, here are some of our favorite sticky notes.

When God Works Through Us In Spite Of Us
Charity Vester


"What had I done to my masterpiece?"
Masterpiece
Darlene Pistocchi
"Not to just do his work, but to be his work."

I Used to Pray To Do God's Will
Rise Ruhl
The Vine That Growed Beautiful
By Michael Peachman
(written at age 5)
It just came up out of the ground.
It growed bigger. That's when it had two leaves.

Then it growed bigger. It had lots of leaves.

It growed all big. (Rain)

It growed
beautiful leaves
with a hill so you could go visit.

Archive: Masterpiece
Archive: Vester/When God
I Used to Pray This...
I've come to a conclusion: God's love can NOT be put into words. There aren't words with which I could even attempt to describe it let alone define it. Even calling it love is like comparing quantum physics to counting on my fingers. I suppose that should have been fairly obvious from the beginning. But now, I'm finally beginning to really get it. And getting it means there are no boundaries or limitations and its growth is exponential and perpetual for eternity. What can anyone say about that?

Robert B. Wood

"I was supposed to be in Peru!"
Souls without prayer are like people whose bodies or limbs are paralyzed; they possess feet and hands, but cannot control them. In the same way, there are souls so infirm and so accustomed to busying themselves with outside affairs that nothing can be done for them, and it seems as though they are incapable of entering within themselves at all. So accustomed have they grown all the time to living with the reptiles and creatures to be found in the outer court of the castle that they have become almost like them.

From St. Teresa of Avila, The Interior Castle, interpretation by E. Allison Peers